Yes, Ecclesiastes 3:2 says that there is “a time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted.” ( King James Version ) However, the context of this verse shows that the Bible is discussing the continuing cycles that are common to life. Lovely cinematography and pacing but without much justification for them, more like distance and slowness for their own sake. La mort et la maladie sont très présents, on ressent à quel point elles infectent et influent sur la vie du garçon, et celle de sa famille. Ernst Graeber and Elisabeth have a very short time together while the young Wehrmacht soldier is on home leave in an unnamed German city subjected to regular, devastating air raids in the spring of 1944. No? After being punished for retreat from combat, Ranger David Martel is given command of the Liandra, a haunted 20-year old Minbari fighting ship. Source: NFSA Prod Co: Central Motion Pictures Corporation Dir: Hou Hsiao-hsien Scr: Hou Hsiao-hsien, Chu Tien-wen Phot: Lee Pin Bing Ed: Wang Chi-yang Prod Des: Chung Wen-lin Mus: Wu Chu-chu Cast: Mei Feng, Tien Feng, Yu An-Shun Thanksgiving, November 2005. the way Hou Hsiao-Hsien tells a story make one experience the moment as if one was there physically. This is just beautiful, dense, relaxed, meaningful cinema and the mixture of languages is highly stimulating to anyone with an interest in linguistics, by the way. The theme of Bildung informs of almost all of his works to some extent, but perhaps none more so than this one. Le film est aussi marquant par la façon dont il est mis en scène, la façon dont le réalisateur porte un regard aussi sur lui et sa propre jeunesse, il ne se contente pas de raconter son histoire, mais porte un regard dessus et en fait ressortir tout un panel d'émotion. How do I activate MUBI on my Smart TV or Streaming Media Player device? Nous utilisons les cookies pour s'assurer que vous viviez la meilleure expérience possible sur notre site. To call A Time to Live and A Time to Die either a semi-autobiographical film or coming-of-age is too simplistic a judgement on this time-tested masterpiece. At the center, "Hsiao" himself, wavering between doing right and fucking up. Synopsis. Too pastoral for my liking. Nobody thinks they will win the war but to say so would be an act of treason. It comes across neutered and idyllically sentimental, almost cartoonishly so. Une famille entière quitte la Chine continentale pour Taïwan. Time flies as we age, whilst the first bite of sorbet from the ice cream van in our memory will never melt away—it's just very remote, inaccessible to some people. each scene is like a tableau with infinite details, and yet even more possible meanings. Am I able to download the films to my computer? The direction and cinematography are simple but effective, featuring many static shots that require the viewer to peer through doors into the unfolding dramas. Can I change my plan? I don't give a fuck about his life. You can replace them with Indians, such are the spaces. There is a time for everything, a time to love and a time to hate, a time to live and a time to die. Original title: Tong nien wang shi. Photo credit: Mubi. We get no real insight into the characters, only sporadic bits of sentimentalism that seem decontextualized and oblique references to taiwanese history that prove ineffective (unlike in JZK). Apps. Enjoyed the pastiche of small and large events/memories. The latest round-up of the most popular posters on Movie Poster of the Day on Instagram. In 1944, a company of German soldiers on the Russian front are numbed by the horrors and hardships of war when Private Ernst Graeber's long awaited furlough comes through. Why aren't all the films listed available to watch? Back home in Germany, he finds his home bombed. Reminds me of my childhood so much, these suburban spaces. Le fossé générationnel se creuse d’une manière telle qu’il menace d’éloigner pour de … In the early 1980s, youthful, modernist, and engaged new films by Edward Yang, Hou Hsiao-hsien, and others re-invented Taiwanese cinema. No one knows, what tomorrow will bring, just live and enjoy everyday! What is the optimal browser for watching films on the web? Beautiful, exquisitely crafted, so subtle & undertoned. A Time to Live and a Time to Die (Tong nien wang shi) Quotes. When the music comes at the end, it is a relief. Sheltered from a cold night in Boston, I am … desse enigma elementar seu cinema brota em imagens minuciosas de retratos que satisfazem só por aparecerem. Achetez neuf ou d'occasion Maybe you should think about it! não se tem acesso às personagens: elas aparecem fechadas em ambientes fragmentados. We use cookies to ensure that we give you the best experience on our website. ludovicobe's rating of the film A Time to Live and a Time to Die ludovicobe One of my favorites of a modern master: long takes, slow, multilayered, a cinema of small gestures; how drama shows through the 'banality' of life 11 articles Community. There's no use, in fretting your time, away! Reminiscent of Ozu without the former's subtle intensity. Tóngnián wangshì. Filled with deep pain and high emotion and based on director Hou Hsiao-Hsien's own experiences and memories, The Time to Live and the Time to Die is a heartbreaking work that never flinches away from the hardest and saddest moments of its characters yet also celebrates their lives. Heavily influenced by Ozu’s simple style and pace. Hou's work has always felt a bit contrived. Loved how the father's chair and desk are in so many shots as a reminder of his absence. Movie & TV guides. Not Rated | 2h 18min | Biography, Drama | 1988 (USA) The semi-autobiographical film on director Hou Hsiao-Hsien's childhood and adolescence, when he was growing up in Taiwan, living through the deaths of his father, mother and grandmother. Before you turn around, another year, has past! A Time to Live and a Time to Die is a film directed by Hou Hsiao-Hsien with Mei-Feng, Yang Li-Yin, Hsin Shu-Fen, Chen Chih-Chen, Ru-Yun Tang .... Year: 1985. 3.5 Wanted to love this as much as others, but found the length unnecessary. 1 To everything there is a season, and a time for every purpose under heaven: 2 a time to be born and a time to die, a time to plant and a time to uproot, 3 a time to kill and a time to heal, a time to break down and a time to build,… Beautiful, interesting, incredible cinema. They experience the joy of love & life, then the pain of separation. He’s escorting ambassadors to a secret archaeological site, the oldest city on record and a clue to a dangerous ancient race. I felt like I was waiting throughout the whole film for it to start. A filmmaker reaching the prime of his prowess. Hsaio-Hsien's semi-autobiographical gateway into the temporal sphere of his narratives. Les aînés peinent à s’adapter à ce nouvel environnement tandis qu’Ah-ha, un jeune garçon, grandit trop vite. A superb family saga, the film was an early international success for the filmmaker, winning the FIPRESCI prize at the 1986 Berlinale. Une famille entière quitte la Chine continentale pour Taïwan. 1 To every thing there is a season, and a time to every purpose under the heaven: 2 A time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted; 3 A time to kill, and a time to heal; a time to break down, and a time to build up; 4 A time to weep, and a time to laugh; a time to mourn, and a time to dance; 5 A time to cast away stones, and a time to gather stones together; a time to embrace, and a time … There are no approved quotes yet for this movie. Pour plus d'informations : 1986 | Lauréat : FIPRESCI Prize (Forum of New Cinema), 1987 | Lauréat : Best Non-American/Non-European Film (Rotterdam Award). really warm and touching. The book starts in Russia, at the Eastern Front, toward the end of the war. passionnant et incroyable. o que faz eu achar o hou o melhor diretor vivo e um dos melhores que eu já vi é que seu cinema amplia as experiências fundamentais através da poesia e da história. MUBI's take Semi-autobiographical and spanning two decades, this early masterpiece from Hou Hsiao-hsien perfectly combines the historical drama and the coming-of-age story. Regala MUBI; Sobre; Formas de Ver; Estudiantes; Empleos; Términos y Privacidad; Ayuda We have the habit, of putting things off and then, it never gets done. A beautiful multi-decade epic about people marooned in a new country, with Hou surrogate Ah-Ha growing strong and rebellious within a family of otherwise sickly, pained refugees. Hou Hsiao-Hsien is a great filmmaker and this is a remarkable film. You'll encounter subtle, beautiful moments where we find ourselves watching one of the characters watch someone else. The Time to Live and the Time to Die/Tong nian wang shi (1985 Taiwan 138 mins). the continuous flow is immersive & soothing; because of that, emotions are amplified; one can still feel the ripples long after the stone's thrown. Retrouvez A Time to Die, A Time to Live: Making and Moving Beyond End-of-Life Decisions et des millions de livres en stock sur Amazon.fr. Best Horror Movies. Could have been cut down without losing the tone or subject. It seemed as though I was lost in a pleasant reverie for the whole duration of this film. Loved it! A Time to Love and a Time to Die is a 1958 Eastmancolor CinemaScope drama war film directed by Douglas Sirk and starring John Gavin and Liselotte Pulver. Hou sabe como poucos capturar a nostalgia em filme. Hou Hsiao-Hsien is a great filmmaker and this is a remarkable film. The Germans are pushed back; their losses are heavy. Les aînés peinent à s’adapter à ce nouvel environnement tandis qu’Ah-ha, un jeune garçon, grandit trop vite. Few films have been better at conveying the passage of time and familial loss. Perhaps Hou's best entry point. This film is inspired by screenwriter-turned-director Hou's own coming-of-age story. Regala MUBI; Chi siamo; Modi per guardare; Studenti; Opportunità di lavoro; Termini e Privacy; Aiuto It is based on the book by German author Erich Maria Remarque, set on the Eastern Front and in Nazi Germany. The Time to Live and the Time to Die, also known as A Time to Live, A Time to Die is a 1985 Taiwanese film directed by Hou Hsiao-hsien. A Time to Live and a Time to Die https://crandle.boshkel.com/90185?lbr Ecclesiastes 3:1-22 ESV / 132 helpful votes Helpful Not Helpful. You ever felt like you wanted to spend 137 minutes watching Taiwanese family life? A vulnerable family feel that they have been cut off from their cultural heritage as a generational gap continues to grow. Du cinéma beau, Le fossé générationnel se creuse d’une manière telle qu’il menace d’éloigner pour de bon Ah-ha des siens et de leurs traditions. Hou’s most meditative film on family and the passage of time based on his own experiences growing up in Taiwan. Click Here for more information. Wonderful cinematography, though I ached for a bit of music to carry me through scenes. Um lembrete para se apreciar aqueles que ainda estão conosco - todas as cenas com a avó são preciosas. 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Will movies have subtitles in my language? There's so much happening outside the frame, as if the characters' lives would continue on even if the camera wasn't rolling. Synopsis: This depiction of childhood and adolescence draws heavily from the filmmaker's own boyhood. A Time to Love and a Time to Die – Zeit zu leben und Zeit zu sterben is the first I’ve read in which both settings are equally important. A gorgeous final act. 6 articles Content. There's a time to live and a time, to die, so we shouldn't let, precious time, go by! How can I pay for a MUBI subscription? Tóngnián wangshì (1985) A Time to Live and a Time to Die (1985) 1 of 5 Tóngnián wangshì (1985) Time, has a way, of going by very fast. Tan nítido y tan honesto, una historia personal como cualquiera, así de sincera, así de real. Uninteresting completely. Noté /5. His most personal and moving film imo. This film is the second part of Hou's coming-of-age trilogy, preceded by A Summer at Grandpa's and followed by Dust in the Wind. Filled with deep pain and high emotion and based on director Hou Hsiao-Hsien's own experiences and memories, The Time to Live and the Time to Die is a heartbreaking work that never flinches away from the hardest and saddest moments of its characters yet also celebrates their lives. Later films could have more complex plots or elliptical sprawl, but the deceptive simplicity of this family portrait allows you to see how his placid style works: you're aware of what changes gradually, what changes violently, what stays the same, and what you can or can't control.